emma rachel cohen

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>emma rachel cohen</title>
	<link>https://emmarachelcohen.com</link>
	<description>emma rachel cohen</description>
	<pubDate>Sat, 20 Jun 2026 22:50:25 +0000</pubDate>
	<generator>https://emmarachelcohen.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Updated Homepage</title>
				
		<link>https://emmarachelcohen.com/Updated-Homepage</link>

		<pubDate>Mon, 12 Dec 2022 18:49:42 +0000</pubDate>

		<dc:creator>emma rachel cohen</dc:creator>

		<guid isPermaLink="true">https://emmarachelcohen.com/Updated-Homepage</guid>

		<description>
	
	
Recent + Upcoming 
Writing“Ralph Lemon’s Tell it anyway, 2024” in BOMB“Picturing Disease and Desire” in Momus
“Olga Tokarczuk’s The Empusium” in The Brooklyn Rail

“Solidarity, Not Sameness” (a review of Xi Xi’s Mourning a Breast) in the Times Literary Supplement
Interview with Hannah Levene on Greasepaint in BOMB 

“In Chicago, Keeping the Heritage of Black Dance Moving” in the&#38;nbsp;New York Times“Jenn Shapland’s Thin Skin” in The Brooklyn Rail

“Performing the Patient: On Emily Wells’s ‘A Matter of Appearance’” in LA Review of Books


PerformanceEXCUSE ME , I'M LOST 
Performance by Gillian Walsh with Maggie Cloud, Emma Cohen
Sunrise / Sunset June 12-14
Chinati Foundation
Marfa, TX  

  (function(w, d, t, h, s, n) {
    w.FlodeskObject = n;
    var fn = function() {
      (w[n].q = w[n].q &#124;&#124; []).push(arguments);
    };
    w[n] = w[n] &#124;&#124; fn;
    var f = d.getElementsByTagName(t)[0];
    var v = '?v=' + Math.floor(new Date().getTime() / (120 * 1000)) * 60;
    var sm = d.createElement(t);
    sm.async = true;
    sm.type = 'module';
    sm.src = h + s + '.mjs' + v;
    f.parentNode.insertBefore(sm, f);
    var sn = d.createElement(t);
    sn.async = true;
    sn.noModule = true;
    sn.src = h + s + '.js' + v;
    f.parentNode.insertBefore(sn, f);
  })(window, document, 'script', 'https://assets.flodesk.com', '/universal', 'fd');


  window.fd('form', {
    formId: '6784741d78ffec280e2f0a6a'
  });

</description>
		
	</item>
		
		
	<item>
		<title>Dance</title>
				
		<link>https://emmarachelcohen.com/Dance</link>

		<pubDate>Thu, 16 Apr 2020 23:00:08 +0000</pubDate>

		<dc:creator>emma rachel cohen</dc:creator>

		<guid isPermaLink="true">https://emmarachelcohen.com/Dance</guid>

		<description>
 EXCUSE ME , I'M LOST, Gillian Walsh, The Chinati Foundation, Marfa, TX, 2026&#60;img width="6028" height="4019" width_o="6028" height_o="4019" data-src="https://freight.cargo.site/t/original/i/ec9d35029908e41295a1be59a92fa8c7a080ca065db8ea4dfac086d53cad6bfb/Copy-of-RowdyDugan_GillianWalsh_6-13-26-011.jpg" data-mid="249662551" border="0"  src="https://freight.cargo.site/w/1000/i/ec9d35029908e41295a1be59a92fa8c7a080ca065db8ea4dfac086d53cad6bfb/Copy-of-RowdyDugan_GillianWalsh_6-13-26-011.jpg" /&#62;
&#60;img width="6048" height="4032" width_o="6048" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8251f3015ebf1c08080f7bb2af315863281125059126782d88047858aadb284f/Copy-of-RowdyDugan_GillianWalsh_6-13-26-058.jpg" data-mid="249662549" border="0"  src="https://freight.cargo.site/w/1000/i/8251f3015ebf1c08080f7bb2af315863281125059126782d88047858aadb284f/Copy-of-RowdyDugan_GillianWalsh_6-13-26-058.jpg" /&#62;&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2b21d7c112e62c8a52cb921d5f0b032068f38da83994d498c7ac2f555829ca03/Copy-of-RowdyDugan_GillianWalsh_6-13-26-027.jpg" data-mid="249662553" border="0"  src="https://freight.cargo.site/w/1000/i/2b21d7c112e62c8a52cb921d5f0b032068f38da83994d498c7ac2f555829ca03/Copy-of-RowdyDugan_GillianWalsh_6-13-26-027.jpg" /&#62;&#60;img width="6016" height="4011" width_o="6016" height_o="4011" data-src="https://freight.cargo.site/t/original/i/970f18e5ad09a50cc9ea155fa4c5a19b487545ce9723bbb77526871c2b626280/Copy-of-RowdyDugan_GillianWalsh_6-13-26-094.jpg" data-mid="249662550" border="0"  src="https://freight.cargo.site/w/1000/i/970f18e5ad09a50cc9ea155fa4c5a19b487545ce9723bbb77526871c2b626280/Copy-of-RowdyDugan_GillianWalsh_6-13-26-094.jpg" /&#62;
Photos: Randy Dugan

I need to bear it with grace, Gillian Walsh, Yale Divinity School, 2026
&#60;img width="1438" height="1079" width_o="1438" height_o="1079" data-src="https://freight.cargo.site/t/original/i/1b56f9e64c06dcc1c96a339a9704a02e81efd20b25a4e0bde70214530932c2e8/central-image.jpg" data-mid="247551448" border="0"  src="https://freight.cargo.site/w/1000/i/1b56f9e64c06dcc1c96a339a9704a02e81efd20b25a4e0bde70214530932c2e8/central-image.jpg" /&#62;&#60;img width="1536" height="2304" width_o="1536" height_o="2304" data-src="https://freight.cargo.site/t/original/i/fc1cfafb755dad3e43eb0528e859a0245254d828c8f4b37ebb34c60a57bf7b8a/DSCF2587.JPG" data-mid="249662544" border="0"  src="https://freight.cargo.site/w/1000/i/fc1cfafb755dad3e43eb0528e859a0245254d828c8f4b37ebb34c60a57bf7b8a/DSCF2587.JPG" /&#62;

Lonely Lamb, Gillian Walsh, Clogher Strand, Dingle, 2024
&#60;img width="1086" height="724" width_o="1086" height_o="724" data-src="https://freight.cargo.site/t/original/i/8fb4208e4054d5c0c9ad007486e6157bf9fe2490b248b7aed91e68fa5c6a31eb/6E2905DC-A949-4659-BB6A-CE3912B6F5E4_1_105_c.jpeg" data-mid="238610999" border="0"  src="https://freight.cargo.site/w/1000/i/8fb4208e4054d5c0c9ad007486e6157bf9fe2490b248b7aed91e68fa5c6a31eb/6E2905DC-A949-4659-BB6A-CE3912B6F5E4_1_105_c.jpeg" /&#62;
&#60;img width="1086" height="724" width_o="1086" height_o="724" data-src="https://freight.cargo.site/t/original/i/5503d95e0e3c0b4d63f760c91d295890aa1bd8484fbd2ac832e7fd38815f20eb/1ACCDCAC-E531-4B44-9BB5-084D864E4C79_1_105_c.jpeg" data-mid="238610900" border="0"  src="https://freight.cargo.site/w/1000/i/5503d95e0e3c0b4d63f760c91d295890aa1bd8484fbd2ac832e7fd38815f20eb/1ACCDCAC-E531-4B44-9BB5-084D864E4C79_1_105_c.jpeg" /&#62;
Friday Night Lights, Gillian Walsh, Dia at Chelsea Park Soccer Field, 2024
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/31d92e864ce54d773e38c92a4a1dbcd3b7bbe5948271b15fd72dc9b68ad28616/McKinley_Dia_Gillian_Walsh-107.jpg" data-mid="223293334" border="0"  src="https://freight.cargo.site/w/1000/i/31d92e864ce54d773e38c92a4a1dbcd3b7bbe5948271b15fd72dc9b68ad28616/McKinley_Dia_Gillian_Walsh-107.jpg" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/1f3b49caef421e9cb69d16e10bbabf7046d3077695036888ee55d14a40dee4b2/McKinley_Dia_Gillian_Walsh-104.jpg" data-mid="223293332" border="0"  src="https://freight.cargo.site/w/1000/i/1f3b49caef421e9cb69d16e10bbabf7046d3077695036888ee55d14a40dee4b2/McKinley_Dia_Gillian_Walsh-104.jpg" /&#62;
Photos: Mollie McKinley

Holy Saturday, Neal Medlyn, The Kitchen at General Theological Seminary, 2024
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/0f5d56e9cefdbbdeee4fa554695183273ad16fc2fdb67f5dd157767eb2a2f2fe/Holy-Saturday-Sm_293.png" data-mid="216102377" border="0"  src="https://freight.cargo.site/w/1000/i/0f5d56e9cefdbbdeee4fa554695183273ad16fc2fdb67f5dd157767eb2a2f2fe/Holy-Saturday-Sm_293.png" /&#62;&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/a89b86fa70c9dc8812c2d57eb9dca3803cfc010135434864a9b51eb445bc1bc5/Holy-Saturday-Sm_399.png" data-mid="216102371" border="0"  src="https://freight.cargo.site/w/1000/i/a89b86fa70c9dc8812c2d57eb9dca3803cfc010135434864a9b51eb445bc1bc5/Holy-Saturday-Sm_399.png" /&#62;&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4513b1afdafd8fe988b340626c929136ef878f28a99cb67d51bd1df541dc933b/Holy-Saturday-Sm_372.png" data-mid="216102370" border="0"  src="https://freight.cargo.site/w/1000/i/4513b1afdafd8fe988b340626c929136ef878f28a99cb67d51bd1df541dc933b/Holy-Saturday-Sm_372.png" /&#62;
Photos: Al Foote III

Wilderness, Gillian Walsh, Danspace Project, 2023&#38;nbsp;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/9762aa2c702c7c8071c450f29a1407b008fc39b40318c3e7a5c516e04b1f2b3e/DSC06419copy.jpeg" data-mid="199781799" border="0"  src="https://freight.cargo.site/w/1000/i/9762aa2c702c7c8071c450f29a1407b008fc39b40318c3e7a5c516e04b1f2b3e/DSC06419copy.jpeg" /&#62;
&#60;img width="2534" height="3168" width_o="2534" height_o="3168" data-src="https://freight.cargo.site/t/original/i/1eb28ea4a86f0028054c380b133e717db7fa7c8f0f7da9a40cb02f76d28bae0d/DSC06502copy.jpeg" data-mid="199781800" border="0"  src="https://freight.cargo.site/w/1000/i/1eb28ea4a86f0028054c380b133e717db7fa7c8f0f7da9a40cb02f76d28bae0d/DSC06502copy.jpeg" /&#62;Photos: Amelia Golden

ASSEMBLY, GREYZONE, Paul Taylor Dance Studios, 2022
&#60;img width="3200" height="3200" width_o="3200" height_o="3200" data-src="https://freight.cargo.site/t/original/i/9bef34a6fc0de21eed0381ed4d3993452341684ab8dd6dfd9c8a8295105be06f/cr-20220322-2653.jpg" data-mid="148444009" border="0"  src="https://freight.cargo.site/w/1000/i/9bef34a6fc0de21eed0381ed4d3993452341684ab8dd6dfd9c8a8295105be06f/cr-20220322-2653.jpg" /&#62;
&#60;img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/4dfea12a75af39f2684b66420960f88f4ef93d17a4b957ef6a4ae57081c62f8b/Lindy_Fines_Dance_Baranova-9280.jpg" data-mid="115640903" border="0"  src="https://freight.cargo.site/w/1000/i/4dfea12a75af39f2684b66420960f88f4ef93d17a4b957ef6a4ae57081c62f8b/Lindy_Fines_Dance_Baranova-9280.jpg" /&#62;


ASSEMBLY, GREYZONE, Oklahoma International Dance Festival, 2021
&#60;img width="2178" height="1719" width_o="2178" height_o="1719" data-src="https://freight.cargo.site/t/original/i/1a5387d8a74210bcec5454d27578711497d8aecae41db5448704d3f30b186fa6/GZ2_Maria_Baranova.jpg" data-mid="114053184" border="0"  src="https://freight.cargo.site/w/1000/i/1a5387d8a74210bcec5454d27578711497d8aecae41db5448704d3f30b186fa6/GZ2_Maria_Baranova.jpg" /&#62;


&#60;img width="5477" height="3651" width_o="5477" height_o="3651" data-src="https://freight.cargo.site/t/original/i/794551898e4c48427af83facdad30fa692d752e5973eb80b2e402eeaae556055/Lindy_Fines_Dance_Baranova-0848.jpg" data-mid="115640899" border="0"  src="https://freight.cargo.site/w/1000/i/794551898e4c48427af83facdad30fa692d752e5973eb80b2e402eeaae556055/Lindy_Fines_Dance_Baranova-0848.jpg" /&#62;
Photography by Maria Baranova for GREYZONE


TWILIGHT, Phoebe Berglund, Marsha P. Johnson Park, 2020


Deepfake, Tara Subkoff, The Hole for PERFORMA 19, 2019

&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/405c666f12dac345f957ed30b615373e343571a5d26e705d50ee89041f7b9f84/6FC36A30-9781-419C-9590-8C5767E9F536.jpeg" data-mid="67272228" border="0" alt="Photo: Luis Corzo" data-caption="Photo: Luis Corzo" src="https://freight.cargo.site/w/1000/i/405c666f12dac345f957ed30b615373e343571a5d26e705d50ee89041f7b9f84/6FC36A30-9781-419C-9590-8C5767E9F536.jpeg" /&#62;Photo: Luis Corzo


Fame Notions, Gillian Walsh, Bennington College, 2019
&#60;img width="3024" height="2160" width_o="3024" height_o="2160" data-src="https://freight.cargo.site/t/original/i/35842b191643b3be79170659f98e3ffc778dd30a7fe15cbdff89f807d3b06e57/221F66D5-16F6-4919-A6A9-6AF7064D6F14_1_201_a.jpeg" data-mid="67272232" border="0"  src="https://freight.cargo.site/w/1000/i/35842b191643b3be79170659f98e3ffc778dd30a7fe15cbdff89f807d3b06e57/221F66D5-16F6-4919-A6A9-6AF7064D6F14_1_201_a.jpeg" /&#62;

Fame Notions, Gillian Walsh, Watermill Center, 2019
 
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/4fd85a19497315224fd26181e191e1d1f3e9df2619d0a6d0574e0ff0b67bfe28/GillianWalsh_FameNotions2_TheWatermillCenter.JPG" data-mid="67272230" border="0"  src="https://freight.cargo.site/w/1000/i/4fd85a19497315224fd26181e191e1d1f3e9df2619d0a6d0574e0ff0b67bfe28/GillianWalsh_FameNotions2_TheWatermillCenter.JPG" /&#62;&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/a564cc2f2d1420c68af2b3634a7b415c4f7122e50900e1e785f5b601c01c0832/IMG_9821.JPG" data-mid="67272237" border="0"  src="https://freight.cargo.site/w/1000/i/a564cc2f2d1420c68af2b3634a7b415c4f7122e50900e1e785f5b601c01c0832/IMG_9821.JPG" /&#62;
Sensation 1/This Interior, Ligia Lewis, The High Line, 2019&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/31d2f2464ef705614c62ceb1957cd2cde6b4434ea3971bfdf7e55a0d99be2077/FHL_HLA_Ligia_Lewis_130.jpg" data-mid="67272229" border="0"  src="https://freight.cargo.site/w/1000/i/31d2f2464ef705614c62ceb1957cd2cde6b4434ea3971bfdf7e55a0d99be2077/FHL_HLA_Ligia_Lewis_130.jpg" /&#62;
&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/b60a79f2a46caecd3f616be2ebeec162946572f2b6cf34318f99dbfbd2421fba/FHL_HLA_Ligia_Lewis_131.jpg" data-mid="67272239" border="0" alt="Ligia Lewis, Sensation 1/This Interior, 2019. A High Line Performance. On view July 23-25, 2019. Photo by Rowa Lee." data-caption="Ligia Lewis, Sensation 1/This Interior, 2019. A High Line Performance. On view July 23-25, 2019. Photo by Rowa Lee." src="https://freight.cargo.site/w/1000/i/b60a79f2a46caecd3f616be2ebeec162946572f2b6cf34318f99dbfbd2421fba/FHL_HLA_Ligia_Lewis_131.jpg" /&#62;
 Ligia Lewis, Sensation 1/This Interior, 2019. A High Line Performance. On view July 23-25, 2019. Photo by Rowa Lee.
  Fame Notions, Gillian Walsh, Performance Space New York, 2019 
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/730945d4abf4d53ec335457051956d649daf63dd79ebfd8d24efe25caeff8346/IMG_2275.JPG" data-mid="67272231" border="0"  src="https://freight.cargo.site/w/1000/i/730945d4abf4d53ec335457051956d649daf63dd79ebfd8d24efe25caeff8346/IMG_2275.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/e03015a22b2dc8905530cf70e109413c4a4a34c9a672c3e59ad0a674ba49934e/IMG_2362.JPG" data-mid="67272238" border="0"  src="https://freight.cargo.site/w/1000/i/e03015a22b2dc8905530cf70e109413c4a4a34c9a672c3e59ad0a674ba49934e/IMG_2362.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/33864eb8d5d98a945989df8dde6748487b16f45367292c98e3a58d97ec604941/IMG_0076.JPG" data-mid="67272233" border="0"  src="https://freight.cargo.site/w/1000/i/33864eb8d5d98a945989df8dde6748487b16f45367292c98e3a58d97ec604941/IMG_0076.JPG" /&#62;
Photos: Paula CourtScramble Repertory Workshop, Merce Cunningham Trust, 2018

&#60;img width="750" height="409" width_o="750" height_o="409" data-src="https://freight.cargo.site/t/original/i/cbf061e2fd2575cda043c1d7b32e087245fc7d3e28f9b345013eec31de781e07/8827A523-B0A4-4E6E-B5E5-1EDE9F38A218_1_105_c.jpeg" data-mid="67272240" border="0"  src="https://freight.cargo.site/w/750/i/cbf061e2fd2575cda043c1d7b32e087245fc7d3e28f9b345013eec31de781e07/8827A523-B0A4-4E6E-B5E5-1EDE9F38A218_1_105_c.jpeg" /&#62;

A Poem in Seven Movements, Elena Bajo, EFA Project Space, 2018

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d7e21da7fc2b30876b3b23895d27f1431c961f048e742eeacb6aaea9b2a1b20a/IMG_9301.jpeg" data-mid="67272235" border="0"  src="https://freight.cargo.site/w/1000/i/d7e21da7fc2b30876b3b23895d27f1431c961f048e742eeacb6aaea9b2a1b20a/IMG_9301.jpeg" /&#62;

and pools at the end of the world where the swallows dip their wings [film],&#38;nbsp; Emma Cohen, 92nd Street Y Mobile Dance Film Festival, 2018

 &#60;img width="1440" height="810" width_o="1440" height_o="810" data-src="https://freight.cargo.site/t/original/i/fe51018895a82134d9f321e8e7c7cc86186fcd4b4196ec7d0619926581148e2f/089D6F56-E3C5-4271-8DAE-87B7859D3C55.jpeg" data-mid="67272241" border="0"  src="https://freight.cargo.site/w/1000/i/fe51018895a82134d9f321e8e7c7cc86186fcd4b4196ec7d0619926581148e2f/089D6F56-E3C5-4271-8DAE-87B7859D3C55.jpeg" /&#62;

Pathways, Noam Gagnon, Performance Works, Vancouver, BC, 2018

&#60;img width="1851" height="1581" width_o="1851" height_o="1581" data-src="https://freight.cargo.site/t/original/i/e9cb19a9335b1e3ca3d83206ff8382a5f852e759cb77e1c6bd7e2827db63797c/5704FC5B-7772-4164-8BC3-1DED3AFDE6E1.jpeg" data-mid="67272234" border="0"  src="https://freight.cargo.site/w/1000/i/e9cb19a9335b1e3ca3d83206ff8382a5f852e759cb77e1c6bd7e2827db63797c/5704FC5B-7772-4164-8BC3-1DED3AFDE6E1.jpeg" /&#62;
&#60;img width="1622" height="1347" width_o="1622" height_o="1347" data-src="https://freight.cargo.site/t/original/i/f958cbf7e6cc5227dd182ae2d08e81cce6a4f320b4874dd4760d5c49c77128c5/26EE1C43-1A87-4361-BA13-8D0930348713.jpeg" data-mid="67272242" border="0"  src="https://freight.cargo.site/w/1000/i/f958cbf7e6cc5227dd182ae2d08e81cce6a4f320b4874dd4760d5c49c77128c5/26EE1C43-1A87-4361-BA13-8D0930348713.jpeg" /&#62;
Photos: Erik Zennström
there’s a place, Desi Rekrut, BLOOM Festival, Vancouver, BC, 2018 
&#60;img width="1952" height="1692" width_o="1952" height_o="1692" data-src="https://freight.cargo.site/t/original/i/98f7e61125b039ef40224575bc7b43c3083447dc6e8b8811a8fda471dea782ea/desi.jpg" data-mid="67272236" border="0"  src="https://freight.cargo.site/w/1000/i/98f7e61125b039ef40224575bc7b43c3083447dc6e8b8811a8fda471dea782ea/desi.jpg" /&#62;
Photo: Erik ZennströmPerformance Research Project [participant], directed by Lesley Telford, Vancouver, BC, 2017-2018
&#60;img width="960" height="640" width_o="960" height_o="640" data-src="https://freight.cargo.site/t/original/i/7e6fb54232b28d89cbdf6e61927f65fab14f96bc6a71fede8b730d04ee77c9a7/0F2A83E0-5881-44E0-97D2-60435EF96374_1_105_c.jpeg" data-mid="67272243" border="0"  src="https://freight.cargo.site/w/960/i/7e6fb54232b28d89cbdf6e61927f65fab14f96bc6a71fede8b730d04ee77c9a7/0F2A83E0-5881-44E0-97D2-60435EF96374_1_105_c.jpeg" /&#62;Photo: David Cooper</description>
		
	</item>
		
		
	<item>
		<title>Writing</title>
				
		<link>https://emmarachelcohen.com/Writing</link>

		<pubDate>Thu, 16 Apr 2020 23:00:24 +0000</pubDate>

		<dc:creator>emma rachel cohen</dc:creator>

		<guid isPermaLink="true">https://emmarachelcohen.com/Writing</guid>

		<description>
	
	Features“In Chicago, Keeping the Heritage of Black Dance Moving” in The New York Times

EssaysThe Cruel Optimism of Cheer- tDSassy, Moody, Nasty,&#38;nbsp;an exploration of dance on TikTok&#38;nbsp;- tDParsing the Significance of a New Archive&#38;nbsp;- tD

Book Criticism
Picturing Disease and Desire, on Annie Ernaux’s The Use of Photography - MomusOlga Tokarczuk’s The Empusium: A Health Resort Horror Story - The Brooklyn Rail
Solidarity, Not Sameness, on Xi Xi’s Mourning a Breast - Times Literary Supplement

Jenn Shapland’s Thin Skin -&#38;nbsp;The Brooklyn RailPerforming the Patient: On Emily Wells’s ‘A Matter of Appearance’ -&#38;nbsp;LA Review of Books

Sick History: On Kate Zambreno’s “To Write as if Already Dead” - Cleveland Review of Books
Dance, Reanimated on the Page,&#38;nbsp;on&#38;nbsp;Drawing the Surface of Dance&#38;nbsp;- tD
Interviews

Hannah Levene, author of Greasepaint - BOMB
‘The Inexplicable Facets of Living in a Human Body’: An Interview with Emma Bolden - HazlittSex and Ghosts in an Empty Theater, an interview with Anh Vo - tDDance Criticsm
Ralph Lemon’s Tell it Anyway, 2024 - BOMBComing Undone and Becoming Again, onJaamil Olawale Kosoko’s American Chameleon - tDSettling Into Slowness, on a conversation between Okwui Okpokwasili, Saidiya Hartman, Simone Leigh, and Tina Campt - tD


Film Criticism
Cunningham in Three Dimensions&#38;nbsp;- tD


</description>
		
	</item>
		
		
	<item>
		<title>Offerings</title>
				
		<link>https://emmarachelcohen.com/Offerings</link>

		<pubDate>Sat, 20 Jun 2026 22:50:25 +0000</pubDate>

		<dc:creator>emma rachel cohen</dc:creator>

		<guid isPermaLink="true">https://emmarachelcohen.com/Offerings</guid>

		<description>
	
	Offerings

Dance
e-mail me - let’s get in the studio :)&#38;nbsp;
Writing 
I cover the politics of health and illness, the history of medicine and disability, contemporary literature, and Renaissance literature and philosophy. Sometimes dance and perforance, too. I’m always open to tips and commissions.

Editorial Services

- copyediting
- developmental editing&#38;nbsp;
- formatting and layout
- indexing
- research assistance and fact-checking
- writing tutoring / coaching&#38;nbsp;
I work with artists, academics, grad students and non-fiction authors. Rates start at .04¢/word.

More details on my editing services can be found here

To reach out about an editing project, email me or fill out this form
Selected Copyediting Samples&#38;nbsp;︎︎︎

&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6e1282899b1577a40340caaba74ba540f05cc253789b23316de4f19a3d56fdd3/habitus-cover.jpeg" data-mid="250790357" border="0" alt="Exhibition Catalogue" data-caption="Exhibition Catalogue" src="https://freight.cargo.site/w/1000/i/6e1282899b1577a40340caaba74ba540f05cc253789b23316de4f19a3d56fdd3/habitus-cover.jpeg" /&#62;
&#60;img width="848" height="1274" width_o="848" height_o="1274" data-src="https://freight.cargo.site/t/original/i/76a33b34e927a7e84820bbabfd31293416b939f022564a97844e28e1954f80b3/Zadeh.png" data-mid="250790420" border="0" alt="Academic Journal Article" data-caption="Academic Journal Article" src="https://freight.cargo.site/w/848/i/76a33b34e927a7e84820bbabfd31293416b939f022564a97844e28e1954f80b3/Zadeh.png" /&#62;
&#60;img width="1060" height="1310" width_o="1060" height_o="1310" data-src="https://freight.cargo.site/t/original/i/b272807eac500d4d85d0d9f2d4e998241aa2801bc65728097687d426e6905090/Pulter.png" data-mid="250790353" border="0" alt="Digital Humanities Article" data-caption="Digital Humanities Article" src="https://freight.cargo.site/w/1000/i/b272807eac500d4d85d0d9f2d4e998241aa2801bc65728097687d426e6905090/Pulter.png" /&#62;
&#60;img width="836" height="1298" width_o="836" height_o="1298" data-src="https://freight.cargo.site/t/original/i/712b390054cec99001455e6290314b626d533c29088aa12af74213a33fce3b4e/abby.png" data-mid="250790352" border="0" alt="Newspaper Interview" data-caption="Newspaper Interview" src="https://freight.cargo.site/w/836/i/712b390054cec99001455e6290314b626d533c29088aa12af74213a33fce3b4e/abby.png" /&#62;
&#60;img width="1808" height="1392" width_o="1808" height_o="1392" data-src="https://freight.cargo.site/t/original/i/5ea56c246b3b93a3e5d090849e92c9684417f29963b2f9fc22e59487ea13c614/td2.png" data-mid="250790355" border="0" alt="Arts Criticsm" data-caption="Arts Criticsm" src="https://freight.cargo.site/w/1000/i/5ea56c246b3b93a3e5d090849e92c9684417f29963b2f9fc22e59487ea13c614/td2.png" /&#62;

Archiving Services&#38;nbsp;
I work with artists to manage the documentation and preservation of their work, as well as with personal collections. Packages will depend on your particular needs, but could include:
- digitization
- developing storage and organization systems
- cataloguing
- developing finding aids
- data entry and database management&#38;nbsp;

To work together on an archiving project, send me an email or inquire here


</description>
		
	</item>
		
	</channel>
</rss>